Selected Press

'Mari Katayama Celebrates the Body Beautiful' by Holly Black
'Mari Katayama Celebrates the Body Beautiful' by Holly Black

‘Mari Katayama Celebrates the Body Beautiful’ by Holly Black

A review of Mari Katayama, Broken Heart for Elephant online by Holly Black. Please click here to be forwarded to the article.

Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London

‘Battlelands’ review by Amy Luo

A review of Meiro Koizumi, Battlelands in Art Monthly by Amy Luo. Please click here to be forwarded to the article.

Taro Izumi, 'My eyes are not in the centre', installation view at White Rainbow, London, 2018. ©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Image: Damian Griffiths
Taro Izumi, 'My eyes are not in the centre', installation view at White Rainbow, London, 2018. ©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Image: Damian Griffiths

‘My eyes are not in the centre’ review by Cleo Roberts

A review of Taro Izumi, My eyes are not in the centre from Art Asia Pacific online by Cleo Roberts.

Aki Sasamoto, Judge Mentals 7.18.18, performance view at White Rainbow, London, 2018 Copyright Aki Sasamoto, courtesy of White Rainbow, London and Take Ninagawa, Tokyo Image: Damian Griffith
Aki Sasamoto, Judge Mentals 7.18.18, performance view at White Rainbow, London, 2018 Copyright Aki Sasamoto, courtesy of White Rainbow, London and Take Ninagawa, Tokyo Image: Damian Griffith

‘Clothes Line’ review by Cal Revely-Calder

A review of Aki Sasamoto, Clothes Line in frieze by Cal Revely-Calder. Please click here to be forwarded to the article.

Chikako Yamashiro, Seaweed Woman, 2008 Video, 7’15" and set of 8 Lambda prints, 28x50cm each © Chikako Yamashiro, Courtesy of Yumiko Chiba Associates
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‘Shapeshifter’ review by Fi Churchman

A review of Chikako Yamashiro, Shapeshifter from ArtReview Asia by Fi Churchman. Please click here to be forwarded to the article.

Chim↑Pom, 'Why Open?', installation view at White Rainbow, London, UK, 2018 © Chim↑Pom, Image: Damian Griffiths
Chim↑Pom, 'Why Open?', installation view at White Rainbow, London, UK, 2018 © Chim↑Pom, Image: Damian Griffiths

‘Why Open?’ review by Ned Carter Miles

A review of Chim↑Pom, Why Open? from Art Asia Pacific online by Ned Carter Miles. Please click here to be forwarded to the article.