Selected Press

'Mari Katayama Celebrates the Body Beautiful' by Holly Black
'Mari Katayama Celebrates the Body Beautiful' by Holly Black

‘Mari Katayama Celebrates the Body Beautiful’ by Holly Black

A review of Mari Katayama, Broken Heart for Elephant online by Holly Black. Please click here to be forwarded to the article.

Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London

‘Battlelands’ review by Amy Luo

A review of Meiro Koizumi, Battlelands in Art Monthly by Amy Luo. Please click here to be forwarded to the article.

Taro Izumi, 'My eyes are not in the centre', installation view at White Rainbow, London, 2018. ©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Image: Damian Griffiths
Taro Izumi, 'My eyes are not in the centre', installation view at White Rainbow, London, 2018. ©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Image: Damian Griffiths

‘My eyes are not in the centre’ review by Cleo Roberts

A review of Taro Izumi, My eyes are not in the centre from Art Asia Pacific online by Cleo Roberts.

Aki Sasamoto, Judge Mentals 7.18.18, performance view at White Rainbow, London, 2018 Copyright Aki Sasamoto, courtesy of White Rainbow, London and Take Ninagawa, Tokyo Image: Damian Griffith
Aki Sasamoto, Judge Mentals 7.18.18, performance view at White Rainbow, London, 2018 Copyright Aki Sasamoto, courtesy of White Rainbow, London and Take Ninagawa, Tokyo Image: Damian Griffith

‘Clothes Line’ review by Cal Revely-Calder

A review of Aki Sasamoto, Clothes Line in frieze by Cal Revely-Calder. Please click here to be forwarded to the article.

Chikako Yamashiro, Seaweed Woman, 2008 Video, 7’15" and set of 8 Lambda prints, 28x50cm each © Chikako Yamashiro, Courtesy of Yumiko Chiba Associates
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‘Shapeshifter’ review by Fi Churchman

A review of Chikako Yamashiro, Shapeshifter from ArtReview Asia by Fi Churchman. Please click here to be forwarded to the article.

Chim↑Pom, 'Why Open?', installation view at White Rainbow, London, UK, 2018 © Chim↑Pom, Image: Damian Griffiths
Chim↑Pom, 'Why Open?', installation view at White Rainbow, London, UK, 2018 © Chim↑Pom, Image: Damian Griffiths

‘Why Open?’ review by Ned Carter Miles

A review of Chim↑Pom, Why Open? from Art Asia Pacific online by Ned Carter Miles. Please click here to be forwarded to the article.

Selected Talks

Mari Katayama, Talk at Royal Society of Arts, 2019

'Mari Katayama Celebrates the Body Beautiful' by Holly Black
'Mari Katayama Celebrates the Body Beautiful' by Holly Black
'Mari Katayama Celebrates the Body Beautiful' by Holly Black
'Mari Katayama Celebrates the Body Beautiful' by Holly Black

Talk by Mari Katayama at Royal Society of Arts, London.

Meiro Koizumi, Battlelands, 2019

Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London

Meiro Koizumi, Battlelands preview, 2019

Yuko Mohri, Interview Moré, Moré [Leaky], 2017

Moré Moré [Leaky]: The Falling Water Given #5 (detail), 2017 Wood Frame, found objects, water pump system
Moré Moré [Leaky]: The Falling Water Given #5 (detail), 2017 Wood Frame, found objects, water pump system
Moré Moré [Leaky]: The Falling Water Given #5 (detail), 2017 Wood Frame, found objects, water pump system
Moré Moré [Leaky]: The Falling Water Given #5 (detail), 2017 Wood Frame, found objects, water pump system

Yuko Mohri, interview, Moré Moré [Leaky], White Rainbow, 2017. Interview by MK Palomar and filmed by Martin Kennedy. Video copyright and courtesy Studio International

Lu Chunsheng, Counterpoints, exhibition interview, Iniva, 2010

Lu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart Gallery
Lu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart Gallery
Lu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart GalleryLu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart Gallery
Lu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart GalleryLu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart Gallery

Interview with Lu Chunsheng, 2010

Jia Aili, Counterpoints, exhibition interview, Iniva, 2010

Make Believe, Ja Aili, Installation view at Iniva (Institute of International Visual Arts), London. © Ja Aili. Courtesy Iniva and Platform China
Make Believe, Ja Aili, Installation view at Iniva (Institute of International Visual Arts), London. © Ja Aili. Courtesy Iniva and Platform China
Make Believe, Ja Aili, Installation view at Iniva (Institute of International Visual Arts), London. © Ja Aili. Courtesy Iniva and Platform China
Make Believe, Ja Aili, Installation view at Iniva (Institute of International Visual Arts), London. © Ja Aili. Courtesy Iniva and Platform China

Interview with Jia Aili, 2010

Film Without Film: SHIMURAbros in conversation with Keith Whittle, Japan Foundation, 2016

SHIMURAbros-Moon-Daylight-Cloud-2018
SHIMURAbros-Moon-Daylight-Cloud-2018

The talk highlights SHIMURAbros film and moving image installations, focusing on the formalistic qualities and contexts at play.

Chim↑Pom talk at The Japan Foundation, 2018

Chim ↑ Pom, 'Silent Bells' (2017) Doorbell, wifi, amplifier, speaker © Chim↑Pom. Courtesy of the artist and MUJIN-TO Production
Chim ↑ Pom, 'Silent Bells' (2017) Doorbell, wifi, amplifier, speaker © Chim↑Pom. Courtesy of the artist and MUJIN-TO Production
Chim ↑ Pom, 'Silent Bells' (2017) Doorbell, wifi, amplifier, speaker © Chim↑Pom. Courtesy of the artist and MUJIN-TO Production
Chim ↑ Pom, 'Silent Bells' (2017) Doorbell, wifi, amplifier, speaker © Chim↑Pom. Courtesy of the artist and MUJIN-TO Production

Talk by Chim↑Pom at The Japan Foundation, 2018.

Adam Chodzko, Sutapa Biswas and Keith Whittle talk at Beppu Contemporary Art Triennial 2015

Mata Ne, Installation view. @ Sutupa Biswas. Courtesy Beppu Project NPO.08
Mata Ne, Installation view. @ Sutupa Biswas. Courtesy Beppu Project NPO.08
Mata Ne, Installation view. @ Sutupa Biswas. Courtesy Beppu Project NPO.08
Mata Ne, Installation view. @ Sutupa Biswas. Courtesy Beppu Project NPO.08

Talk by Adam Chodzko, Sutapa Biswas and Keith Whittle at the Beppu Contemporary Art Triennial conference, 2015.

David Blandy and Keith Whittle in conversation at East, 2013

BarefootlonePilgrim
BarefootlonePilgrim

Talk and discussion between David Blandy and Keith Whittle to coincide with his exhibition Anjin 1600: Edo Wonderpark, 2013.

Liliane Lijn, Reflexions, Refractions, Inflexions: Matter and Light,V&A South Kensington, London, 2015

Burma-Requiem-2008
Burma-Requiem-2008

In the first of the series artist talks, Liliane Lijn discussed the ideas and methodology behind her work.